Mistigris computer arts

Wednesday, November 30, 2016

Instagram photo by Cthulu • Nov 30, 2016 at 4:23pm UTC

Yes, the comforting images of pop culture nostalgia and the cool arm’s-length remove of abstract pieces can appeal, but there are real and important struggles going on in the world today, perhaps none of them more important than climate change. Here in Canada, the main narrative is Alberta trying to kibosh our responsibilities under the Paris Agreement and get its oil and tar sands bitumen to emerging markets before they complete the switch to a post-petroleum economy – as we all will need to do in order to slow down the pace at which the ecosystem is flying apart.

Today’s Mistigram image is a painting from the MIST1116 artpack released last week, “Scorched sign, Unist'ot'en pipeline blockade” by Nick Lakowski (who, despite fond memories of BBSes, has had no involvement with the computer art scene up to this point.) Unist'ot'en is a settlement on unceded First Nations territory in the wilds of northern British Columbia, strategically situated where Enbridge has been hoping to run the Northern Gateway pipeline through to Kitimat. Time and again, Enbridge surveyors have attempted, sometimes backed up by the RCMP, to obtain access to the area, and the denizens of the settlement have thwarted them every time: we do not consent to this action, and you have no jurisdiction here – a position backed up by the Supreme Court of Canada, resulting from the hasty, treaty-less colonization of British Columbia.

Yesterday Canada’s Prime Minister put the nail in the coffin of Northern Gateway – but he gave government approval to two further pipeline projects, Line 3 and Kinder Morgan’s twinned Trans Mountain, the latter of which will be running quite a bit closer to Mistigris HQ. This is not what we voted for, and we, also, do not consent to this action.


Instagram photo by Cthulu • Nov 30, 2016 at 4:23pm UTC

Tuesday, November 29, 2016

[gallery]
Queen fiend Nitnatsnoc must be spinning in his retirement! I was waiting to feature this one in Mistigram to build some tension, but the Sixteen Colors ANSI of the Day was drawn straight toward it like a moth to a flame! The artist: cccfire, another parallelly-evolved case of ANSI art from the 8bitMUSH like today’s Mistigram artist LDA. The artwork: an extra-wide XBin piece of monochrome ANSI art enshrining the members of the glam rock Queen (and enjoy the bonus, the same scene quite more minimally arranged by some anonymous SharpSCII artist), plus a late-breaking addition of the group’s logo in glorious colour… and what we can most definitiveely describe as the ultimate, final “smallest textmode Mistigris logo” of all time.

The piece competed against the fruit of Blocktronics (including no fewer than four pieces by the godly ungennant) at the Demosplash demoparty earlier this month in its truncated form, and placed… 10th. (But in his defense, cccfire runs laps around all of the multi-decade veterans who outscored him in light of a “most improved” metric, maturing as a real contender with – an admittedly idiosyncratic style – in under a year. At this rate cccfire will be pulling down top scores for his ANSI art when all of Blocktronics will have been 15 years in the cold ground!)


We will revisit the piece on Mistigram to take a peek at some of its finer details. And happy to say, we have other recent pieces that the AOTD has lighted upon over the past few days to also celebrate with you – but they carry with them a little additional bonus content that needs to be a massaged a bit before we serve up their full stories to you.

Instagram photo by Cthulu • Nov 29, 2016 at 1:59pm UTC

Today on Mistigram, this Blade-Runnerian spaceport ANSI art landscape by LDA from the wilds of the 8bitMUSH at ANSIART.COM is a pure slice of oldschool (practically Public Domain) bliss, evoking happy memories of hours spent exploring in rounds of Trade Wars 2002. Maybe those vessels have their bellies full of volunteers to populate the off-world colonies… and maybe the captain’s alignment is good and he won’t open the airlock as soon as he leaves orbit. Maybe. My point is: it’s a hell of a sunset.


Instagram photo by Cthulu • Nov 29, 2016 at 1:59pm UTC

Monday, November 28, 2016

Instagram photo by Cthulu • Nov 28, 2016 at 12:50pm UTC

Today on Mistigram, we feature a painting by Maeve Wolf from last week’s MIST1116 artpack release. While she drew some ANSI art back in the Mist Classic era, in more recent years she’s taken up painting and employment in the field of architecture – which leads us to today’s selection, one of her two paintings from that collection blending elements of all three realms!


Instagram photo by Cthulu • Nov 28, 2016 at 12:50pm UTC

Sunday, November 27, 2016

Instagram photo by Cthulu • Nov 27, 2016 at 2:17pm UTC

Today on Mistigram, the first of many, many teletext pieces from the recent MIST1116 drawn by Horsenburger: US viewers may not be able to place him, but here in Canada we were exposed to pop culture from both sides of the pond – it’s the Danger Mouse spin-off Count Duckula!


Instagram photo by Cthulu • Nov 27, 2016 at 2:17pm UTC

Saturday, November 26, 2016

Instagram photo by Cthulu • Nov 26, 2016 at 1:37pm UTC

A day after his first appearance in an artpack, our still-fresh MIST1116, we look to the work of Cuban artist Yaimel López to try to find some understanding in today’s death of Fidel Castro. The powerful ideological symbolism in this piece, entitled “The Man”, is potent stuff, even if the nuances of just what it all means are still left up to personal interpretation. One thing for sure: nothing is as it seems, but toward what end? Well, I suppose that’s an eternal constant of life. So much for deeper meaning!


Instagram photo by Cthulu • Nov 26, 2016 at 1:37pm UTC

Friday, November 25, 2016

Instagram photo by Cthulu • Nov 25, 2016 at 3:41pm UTC

In the style of the logo from Viz Magazine comes this, the teletext introduction to Illarterate’s MISTFAX teletext sequence in the just-released MIST1116 artpack! (which, of course, you can browse over here.) Sadly, the promises of naughty words and pictures are not substantiated… unless it turns out that something prurient is waiting to be unleashed by the teletext “REVEAL” button!


Instagram photo by Cthulu • Nov 25, 2016 at 3:41pm UTC

Thursday, November 24, 2016

[gallery]
It gives us great pleasure (and enormous relief) to announce that MIST1116, the Mistigris computer artpack collection for which we’d been gathering submissions since the end of April, is finally out following a series of delays.

With a strong current of pieces dealing with themes of technology, transhumanism and cyberspace, there’s also plenty to enjoy to suit camps old and new alike – several varieties of textmode artwork, including typewriter masterpieces and an unstoppable parade of teletext, plus the “real-life” art forms historically absent, including drawing, painting, photography and collage. (Still no dance! We’ve got to have something to strive toward, I guess.)

And keeping us relevant despite our celebrating the occasion of our 22nd anniversary, the kids will enjoy an unsettling SnapChat face-swap and an canonical literary work transliterated into emoji.

(Also, at least three accordions. They’re made to fit in there thematically somehow, but huh – go figure!)

If you’d like to download the entire collection in one 185-meg go for local enjoyment, please point your web browser to bit.ly/MIST1116 ; if on the other hand you’d like to wander through a garden of thumbnails via a web gallery, textmod.es is hosting (most of) it at bit.ly/MIST1116gallery


(Pictured: “V for Vendetta” ANSI adaptation by cccfire
“Smoke and Mirrors” by Delphine Hennelly
Textile Kaleidoscope by Daniel Wickert
“God organ, its jubilant appreciation” painting by Nick Lakowski
Judge Dredd teletext by Illarterate
“A Hundred Impossible Species of Blue” collage by Arielle Olivier
“The Old Guitarist” Shift_JIS adaptation by Kalcha
“Maakscii art” by Pannekoekologist
“Couture” drawing by Theresa Oborn
“Imissthenineteenhundredandnineties” by xer0.)

Instagram photo by Cthulu • Nov 24, 2016 at 8:34am UTC

Today on Mistigram, a piece of hirez (high resolution graphics) trapped for years in the belly of the shipwrecked M-9808 artpack (finally released to the public in 2015) drawn by Knightmare, depicting some green cartoon character (my guess is The Mask) performing some incomprehensible gesture with his hand with the assistance of some props. It’s not bad – I just don’t understand it.


Instagram photo by Cthulu • Nov 24, 2016 at 8:34am UTC

Wednesday, November 23, 2016

Instagram photo by Cthulu • Nov 23, 2016 at 2:20pm UTC

Today on Mistigram, this ANSI art logo by Whazzit capped off his mermaid ANSImation with Kirkman in last year’s MIST1015 artpack. Previously I equated the blue with water but now I’m thinking it might be more the phosphorescence of jellyfish tentacles or electric eels, wriggling among the seaweed growing amongst the planks of a sunken vessel.


Instagram photo by Cthulu • Nov 23, 2016 at 2:20pm UTC

Tuesday, November 22, 2016

Instagram photo by Cthulu • Nov 22, 2016 at 2:08pm UTC

Today on Mistigram, a curious experiment from the desk of Grim Reaper, the longstanding VGA department coordinator of Mist Classic. The one major idea in play here is wondering what a hirez (high resolution) artist could do with the circumscribed canvas permitted a textmode artist in the space alloted for use in a FILE_ID.DIZ file, the brief description of an archive’s contents that would display on BBS file bases. I guess he got stuck thinking on iconic logos beginning with the letter “M”, so we got a peculiar association with a brand we likely would never have endorsed or given free advertising to.


Instagram photo by Cthulu • Nov 22, 2016 at 2:08pm UTC

Monday, November 21, 2016

Instagram photo by Cthulu • Nov 21, 2016 at 2:07pm UTC

Today on Mistigram, an ANSI art Mist logo veering on the abstract by Tincat from a collaboration in our July 1997 artpack. As for the slogan? You know what you get when you throw everything at the wall and see what sticks? Then you take everything that stuck, and see which among those sticks the most… basically, the Mistfunk movement Tincat spearheaded was selectively breeding for catchiness rather than clear messaging.


Instagram photo by Cthulu • Nov 21, 2016 at 2:07pm UTC

Instagram photo by Cthulu • Nov 20, 2016 at 3:17pm UTC

Wake up, sheeple! Yesterday on Mistigram we featured this ANSI art sheep – one of only two I can think of, both from Mistigris – drawn by Etana as part of a BBS-screen-sized Mistigris promo in our two-year anniversary artpack in the vicinity of October 1996. I don’t know who this ovine is giving the side-eye to, but they’ve clearly got some suspicions about the company they’re keeping.


Instagram photo by Cthulu • Nov 20, 2016 at 3:17pm UTC

Saturday, November 19, 2016

Instagram photo by Cthulu • Nov 19, 2016 at 1:41pm UTC

Tempo probably didn’t intend to kill Mistigris for fifteen years and change when he gifted this piece of website art to us, but nonetheless that was the effect of his generous gesture. Thinking we could kill two birds with one stone by innovating the artpack-as-website, we invested our energies heavily in exploring the untravelled territory at great length (in M-9808, finally released in 2015) and the only thing we ended up killing was ourselves. Hardly seems worth it, to look at it, but at the time it seemed a promising sign that we were on the right track. Signs: don’t read too much into them.


Instagram photo by Cthulu • Nov 19, 2016 at 1:41pm UTC

Friday, November 18, 2016

Instagram photo by Cthulu • Nov 18, 2016 at 2:23pm UTC

On Mistigram today, something unique – Mistigris membership and artscene terminology mixed up into a word search! It has the distinctive fingerprints of Mist Classic VGA department head Thanatos all over it – an intriguing idea, presented like a prototype. But we were still using MS-DOS when this came out in October of 1997, so it wasn’t too alienating.

What’s that squiggle in between the I and the S? Oh – it’s his initials, TH, which look perfect when viewed in hirez mode.


Instagram photo by Cthulu • Nov 18, 2016 at 2:23pm UTC

Thursday, November 17, 2016

Instagram photo by Cthulu • Nov 17, 2016 at 2:04pm UTC

Today on Mistigram, a hirez vga logo from our 3rd anniversary, circa October 1997, by Bryce. (I know, I know, a computer artist in the ‘90s called Bryce? Do you think ReNoise would make a good DJ name?)

This seems to be the only appearance Bryce made in our back catalogue, but at least he packed in enough glitz and sparkle to make up for a whole career with us! (One question: how come the background gradient isn’t in effect inside the hole of the “g”? Is it a gateway to a similar, but slightly different, dimension? Only Bryce knows for certain, and he’s not talking!)


Instagram photo by Cthulu • Nov 17, 2016 at 2:04pm UTC

Wednesday, November 16, 2016

Instagram photo by Cthulu • Nov 16, 2016 at 2:21pm UTC

Today on Mistigram we featured an extraordinary ASCII art / hirez hybrid by Dead Soul that first ran in our January 1998 artpack. I’m not sure precisely what relationship there is, if any, between the foreground graffiti logos and the manga-style ASCII art in the background, but they are most definitely juxtaposed.


Instagram photo by Cthulu • Nov 16, 2016 at 2:21pm UTC

Tuesday, November 15, 2016

Instagram photo by Cthulu • Nov 15, 2016 at 2:52pm UTC

From June of 1998 – nearly the end of Mist Classic – comes this selection, a rendered shoreline landscape by Quebec’s Enelf Daragard (does anyone know where he can be found today?) illustrating a fragment of song lyric by Otnoo Ishphoo (his song “Setting Sun” ironically opening with the phrase “Delirious blue wash over me”, a colour not seen anywhere up in this joint!)

Nominally we’re still prioritizing pieces containing Mistigris iconography… represented here by a single letter “M”. Good enough! There weren’t too many other artscene groups beginning with “M” we could be confused with…


Instagram photo by Cthulu • Nov 15, 2016 at 2:52pm UTC

Monday, November 14, 2016

Instagram photo by Cthulu • Nov 14, 2016 at 2:13pm UTC

And finally, from December of 1994, we get caught up with today’s Mistigram posting – this sliiiightly pHUNKy ANSI art Mist logo by White Insanity. It’s a peculiar logo that came on top of a quite peculiar illustration which we will be sure to share with you down the line, once we’ve exhausted our supplies of “Mist” logos 8) Perplexing, but at least it’s got lots of personality!

Today, after nearly 22 years, I finally did see the lemur. (It’s in the illustration, not the logo.)
Instagram photo by Cthulu • Nov 14, 2016 at 2:13pm UTC

Instagram photo by Cthulu • Nov 13, 2016 at 1:29pm UTC

Yesterday, Mistigram featured this newschool ASCII art rendition of Image Comics’ big man on campus Spawn, drawn by forgotten gem Crystal Meth and first released in our May 1997 joint artpack with Dark Illustrated in the culmination of the Mistigris World Tour.

The Mistigram pool is extensively shuffled according to a few criteria so we don’t get all the same artform in a row, there’s a good mix between early and late Mist classic, keeping too many logos in a row from appearing and preventing an individual artist from dominating a week unless we darned well deliberately intend for them to do so… but we don’t adjust for subject. This picture was planned to run weeks and months ago, but ended up in a spot where we would have ended up with two or even three Spawns in a row. There is probably room to do Spawn Week, but if we do end up rolling that way, I’d prefer for it to be on purpose 8)


Instagram photo by Cthulu • Nov 13, 2016 at 1:29pm UTC

Instagram photo by Cthulu • Nov 12, 2016 at 7:03pm UTC

With … quite a bit less of a story behind it, the following day’s Mistigram piece was this mad scientist hirez by Grinch, originally released in August 1997 and intended to be thrown up here following Happyfish’s ANSI art test tube before… life intervened.


Instagram photo by Cthulu • Nov 12, 2016 at 7:03pm UTC

Instagram photo by Cthulu • Nov 12, 2016 at 5:45am UTC

U> Has anyone done meme images scene art?
C> once in a blue moon it happens



U> Meme image
U> I mean stuff like pepe the frog etc
U> all colors are on default palette
U> Ansi green is similar to pthalo green and it’s pepes green color
U> I’m gonna push some ansi turds tonight

He couldn’t have known how true he was! Unseen Fate of pen15 generously got in some of our earliest ANSI art submissions in the crazy six-month call for submission period for MIST1116 (due out this weekend, I’m serious this time!) and the problem with the ample lead time is that it gave memetic subject matter time to mutate and go horribly wrong.
C> I’m a little concerned about recent developments vis a vis pepe the frog



U> Yas
U>
Don’t include

C>it’s a shame, because as ansi art it’s on fleek and as far as viral memes go, I guess we didn’t anticipate just how far it would pop, but for the wrong reasons



U>Yea
U>
And its origin is nice and clean


C>I can’t think of a way to include it while simultaneously stating “we disavow white supremacy and fascism”, beyond making him painfully shill for Hillary, which I think would be … trying a little too hard.



U>Just assholes turned it into shite
U>
Yas
U>
No pee pee until this has settled
U>
Don’t include it
U>Its hazard now
U>And I don’t want to be associated with those asshats namely alt right dicks and nazis

U>Last time Pepe was seen was 2007 in boy’s club comic. After that it became meme at 4chan
U>
Only last year there has been new 4 panel strip about Pepe
U>
Basically 4chan fuckers destroyed Pepe
U>
Anyway
U>
Internet ruins everything ??

C>Amen!


Instagram photo by Cthulu • Nov 12, 2016 at 5:45am UTC

Friday, November 11, 2016

[gallery]

Last night our community radio colleagues at the long-running Art of Beatz radio program closing the daily broadcast schedule at CFRO Co-Op Community Radio (100.5 fm in Vancouver BC) were kind enough to have us on their show to present a curated hourlong tour through the rich history of the .MOD tracking and computer music tradition of area code 604, by way of promoting the imminent MIST1116 artpack battering down the gates.

Tonight on Art Of Beatz Radio: Mistigris and Chad Munson
Hour 1: Mistigris
Tuck in your Tamagotchi and crack open a frosty bottle of J0lt cola, for everything old is new again: this week we’re celebrating a local tradition of 2 and a half decades of computer music out of area code 604 with Cthulu of the computer art collective MiSTiGRiS (est. 1994), who will be representing a golden thread of chiptunes and musictrackers from the LSDJ of today all the way back to the Commodore Amiga and Atari ST. Sine waves, static channels, and samples – oh my!


You can hear the whole hourlong broadcast as a digital audio stream or, if you already know the history and don’t want me blabbering on top of all the songs, I’ve prepared a download of “just the tunes”. And here’s the playlist!

Freddy43 / Mistigris - Trackerfix song, 2016
Lofryr - 5th Dimension, Apr 1993
AcidFrog - Drowning In Your Love, Aug 1995
Admiral Skuttlebutt / Digitallusions remixed by Marauder / Euphonix - Rave 95
Esquire - C02, Oct 1997
Jazz / Euphonix remixed by Sidewinder - Night of the Living Hoovers, 1995
The Pope / The Immortal Syndicate - Christe 1, Apr 1996
Fingers / Euphonix - Otesnpyneneidells, Sept 1994
Unicode / Mistigris - Remember, Oct 2015
Ill-esha - Line by line, Oct 2015
Haquisaq / Mistigris - Night Shift, 2001
Cthulu / Mistigris - pure white light, 1999
Anton Van Oosbree - Aerodynamic (Daft Punk), 2016
Obsidian Zero / Sonic Equinox - Good Night, 1998

Thursday, November 10, 2016

Instagram photo by Cthulu • Nov 10, 2016 at 1:51pm UTC

We laugh that we do not cry. Way back in April, before the hands of Fate were felt making the inconceivable inevitable, the Mistigris founder’s elite alter-ego k-ThUlU++ released this abysmal chimera – half machine-converted textmode art, half TheDraw font – in our traditional April Fools’ pack of “bad art”. (Bad, BAD art! No cookie!)

The likelihood that developments in global affairs will lead to an increase in the greatness of textmode art can be rated as … unlikely.


Instagram photo by Cthulu • Nov 10, 2016 at 1:51pm UTC

Wednesday, November 9, 2016

Instagram photo by Cthulu • Nov 9, 2016 at 9:19am UTC

As Horsenburger was getting his teletext groove back, he produced a few caracatures of right-wing politians, such as this rendition of “Tiny Hands Trump”. For a laugh, we folded them in to our MIST1016 Hallowe'en artpack of a week and a half ago, keeping good company with various creepy characters, chilling scenarios and assorted monsters. We’re not laughing now.


Instagram photo by Cthulu • Nov 9, 2016 at 9:19am UTC

Tuesday, November 8, 2016

[wpvideo 4LKAt0i4]

Not two weeks after we released MIST1016, and already another collection is battering at the gates, demanding to be unleashed upon an unsuspecting public. This is it, folks, the collection for which we’ve been soliciting, gathering, stockpiling, and bottling up & shaking art for over six months now. Due to qualitative changes, what you end up with is somehow more than a mere six monthly artpacks would have been: it’s a massive monument of computer art, and we have skimmed some excellence off of its top to share with you in this video. The actual collection will follow this weekend. In the meantime, here’s a four-minute highlights reel for you to enjoy. (And if you find you’d like to spread the word, you’ll probably have better luck with the copy up on YouTube.)

Instagram photo by Cthulu • Nov 8, 2016 at 2:53pm UTC

Today on Mistigram, a joint ANSI art depiction of X-Man Colossus drawn by Wetworks of Mist and The Green Hornet of Dark Illustrated as part of our Mistigris World Tour appearance with Dark in May of 1997. I’m not certain who did what, but I’d put good money on that background fire having come from the desk of TGH.


Instagram photo by Cthulu • Nov 8, 2016 at 2:53pm UTC

Monday, November 7, 2016

Instagram photo by Cthulu • Nov 7, 2016 at 2:04pm UTC

“It surrounds you… it consumes you…” Today on Mistigram, we have this vga hirez Mistigris promo purportedly drawn by our longtime VGA hirez (high resolution visual artwork) department head Grim Reaper. As he was sometime after the fact (hello, Google Image Search!) busted for plagiarising quite a great deal, it’s impossible to know for sure that it’s by him – but the rule of thumb is that this drawing probably wouldn’t have been rated awesome enough to be worth the risk of stealing, and so it probably is the genuine article. It’s… not bad, all things considered! The ‘90s were the era of Rob Liefeld anatomy, so this plucky dragon is in good company.


Instagram photo by Cthulu • Nov 7, 2016 at 2:04pm UTC

Sunday, November 6, 2016

Instagram photo by Cthulu • Nov 6, 2016 at 1:34pm UTC

Not that we wouldn’t post Hallowe'en art and works by Nail every day if we could, but today on Mistigram, back to the regular routine: one of the final huzzahs from Mist Classic, this piece of RIPscrip vector art by longtime Mist RIP specialist Lady Blue, with her buddy Kitiara of RCA helping out with the background miasma. It was released in May of 1998, and is one of the very, very few pieces of artwork to acknowledge the initial metaphorical conceit of the name “Mistigris” – though more commonly understood as French for “alleycat”, from there the word was further applied to a variant of poker in which the jokers are wild. Ripe with (largely untapped) symbolism potential! The writing on the playing cards looks simple, but I can’t think of a simple way to make it happen in RIPscrip editors – which is the hallmark of a great artist, making the difficult look effortless! If anyone has seen Lady Blue, please send her our way: we miss her!


Instagram photo by Cthulu • Nov 6, 2016 at 1:34pm UTC

Saturday, November 5, 2016

And a bonus Guy Fawkes Night special, a very special Mistigram teletext preview of the upcoming (what?!) MIST1116 artpack, drawn by Illarterate (after V for Vendetta).



https://www.instagram.com/p/BMb9gLKhDk2/

Today on Mistigram, one last Nail showcase - he didn’t just dress our October 2016 infofiles with ANSI art Mistigris iconography, he also graced our October 2015 infofiles with two more very strong logos - here you can enjoy the one that’s graced the header of our Facebook group for the past year! It’s something pretty special. (and in case you wonder, the other one, which we are leaving in reserve in the event of some future blogging emergency, is also pretty great, too!)



https://www.instagram.com/p/BMbtewuBuNw/

Friday, November 4, 2016

Instagram photo by Cthulu • Nov 3, 2016 at 9:57pm UTC

It was 1998, and I’d messed up. The artists had followed me, more or less, like a crazy cult leader through the desert through the lion’s share of 1997 with the Mistigris World Tour, and when we finally “came home” to resume releasing artpacks under our own name, I resolved to indulge them as they had humoured me, and give them what they wanted: regular, monthly releases. They had other, not-unreasonable requests – split the packs into different disks focusing on textmode art, hirez visuals and music. And then the breaking point: they wanted us to include “real-world art” in our packs. I was inclined to agree – the more art, the better! – but the path forward in such an unprecedented direction was unclear, and the technology to help us decidedly crude, the scanners and cameras of the time being huge, slow and lossy. So I dithered and delayed. Meanwhile, my department heads were stirring the pot putting a strange new emphasis on QC, “quality control”, with the idea that it would inspire artists to produce better work. But the slogan of Mist had long been “art for the artists”, so they were thus quite accustomed to doing what they liked and hoping we felt the same way. Now it seemed we didn’t.

So, a substantial chunk of Mist Classic parted ways from us and established Hallucigenia, where they could continue making computer art – and heck, real-world art too, why not? – in the manner to which they were accustomed. I always wondered… maybe if I’d acted sooner on admitting real-world art, I could have kept them under our roof and we could have maintained the momentum of an active core needed to continue operations. But we don’t have a time machine, so instead we get the historical record: Mist Classic stalled out in August of 1998 with me descending into HTML insanity, while Hallucigenia continued chugging along, and in October there it was: real-world art – they ran a gallery of Jack O'Lanterns in their artpack.

Since reforming, we’ve released three October artpacks, and they’ve only gradually been getting more and more Hallowe'eny – first, not at all in 2014, then substantially in 2015… this year, our October artpack was entirely Hallowe'eny. And here, in MIST1016, we just included a photo of an old Jack O'Lantern by Nail (that guy again?), a flaming skull (Ghost Rider or a Lost Soul from DooM? You be the judge!) so finally we can achieve a taste of the MIST1098 (well, at that time our naming convention would have looked like M-9810-B) that never was but might have been.


Instagram photo by Cthulu • Nov 3, 2016 at 9:57pm UTC

Thursday, November 3, 2016

Instagram photo by Cthulu • Nov 3, 2016 at 8:47pm UTC

Compare & contrast: through the photographer’s lens, the photographer is a god! But externally, the photographer – focused on a dinky little machine, contorting their body to get just the right angle – is ridiculous and pitiable! And surely nowhere more so than the reviled selfie, stand-in for generational misogyny for years now!

Painter Delphine Hennelly is in the middle of a series of works exploring the theme of the selfie, but none of them carry a more unsettling subtext than this, the “Bathroom Selfie” featured in MIST1016, enshrining one girl’s attempt to (optimistically? foolishly?) squeeze beauty out of a context of larger-than-life squalor. (That’s funny, I’ve lost my appetite!)


Instagram photo by Cthulu • Nov 3, 2016 at 8:47pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 6:32pm UTC

Covering all the bases, from computer art forms to fine arts to … well, one of the first of the modern art forms, photography! This MIST1016 landscape photo of Vancouver’s recent blood moon was taken by Diane Smithers (the watermark doesn’t lie!) and while photography is consigned to always play an unglamorous second fiddle role when in the same orchestra as Photoshop and After Effects, it can still be humbling when you realise that what you’re looking at on your computer screen isn’t purely an assemblage of electrons, but an actual representation of the real world! If she missed this shot after humping her camera gear up the staircase she couldn’t just reset the simulation!

(And for 604 appeal there, in the foreground, are the condos of Yaletown and Vancouver’s West End.)


Instagram photo by Cthulu • Nov 3, 2016 at 6:32pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 5:05pm UTC

On the fine art side of things, MIST1016 also included perhaps our first charcoal drawing, a gripping piece by Tom Heuckendorff of the band Soatoa: its title is “Spider face” and its edge is undeniable.


Instagram photo by Cthulu • Nov 3, 2016 at 5:05pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 3:18pm UTC

Four, four, four Shift-JIS drawings for the price of one! Our resident Shift-JIS expert, Kalcha, ordered these four Hallowe'eny characters to line up and get festive for MIST1016, and boy did they jump to it! Shift-JIS works like the ASCII art we all know and love, but the characters are not fixed-width – and they include Japanese ideographs, here seen only composing the body of the spider. (Fear not, those corner swastikas merely denote good fortune in an Asian context.)


Instagram photo by Cthulu • Nov 3, 2016 at 3:18pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 1:56pm UTC

We don’t want MIST1016 to overstay its welcome what with all of its Hallowe'eny contents, but at the same time… it’s the only thing holding back Christmas at this point, so we must persevere and press on. This morning we kick off celebrating this piece by the recently-rediscovered reNM8r which, let’s be fair, we can’t really get away with sharing at virtually any other time of year. A sublime exercise in lighting, I can’t really describe the effects of black magic being depicted here, but they resonate as intense and awesome. I would not mess with that witch and I strongly advise you do not either.


Instagram photo by Cthulu • Nov 3, 2016 at 1:56pm UTC

Wednesday, November 2, 2016

Instagram video by Cthulu • Nov 2, 2016 at 10:03pm UTC

Marc Ericksen was raking in the big bucks designing killer art for classic video game boxes back when most of us were in diapers. Our digital underground arose and fell, him at one end of the software ecosystem and us at the other end, and I gather that his game illustration run was near its end in 2003, when he drew this art for an ad for the Lucasfilm PS2 game RTX Red Rock in Gamepro magazine issue #176. As demonstrated in the secret package he mailed me three weeks ago, when the magazine finally ran the art, it was obscured behind a writhing mass of red squiggles, using a technique much used in software copy protection of the era (eg. in Loom), the underlying content revealed only when viewed through a(n attached) red cellphane transparency representing the bionic eye of the game’s protagonist.

Which is, huh, there’s a lot going on there. But the high and low is that no one out in the public has ever had a chance to get a good look at the underlying art before, and here – due to my onetime Quixotic quest getting box artists properly credited on Mobygames – in MIST1016, the veil was lifted and they finally had a chance to appreciate how it looked before the squiggles were applied.


Instagram video by Cthulu • Nov 2, 2016 at 10:03pm UTC

Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC

Nail is a fellow artscene traveller, a refugee from the ‘90s with a fondness for the activities we used to conduct but not many outlets for them. Somehow, he ended up singlehandedly generating 100% of the Mistigris iconography used in the MIST1016 artpack – the FILE_ID.DIZ and the logos on both infofiles. Basically, anything that said “MIST” was done by him… which isn’t bad for someone who was historically never part of it! Nostalgia by proxy!

Anyhow, the previous two of his pieces we examined were minor works – a FILE_ID.DIZ is necessarily constrained, while “the world’s smallest Mist logo” doesn’t really have the chance to bust out. But here, atop the newsletter, he went for the gusto and minted this wicked logo depicting some species of digital graffiti from Hell, balancing the whimsically looped “i"s with the Satanically inverted "G”. It’s a typographical tour de force, and really got us out the door on a Hallowe'eny foot, no doubt! Hats off and thanks again to Nail for ensuring that we didn’t head out into the world undressed 8)


Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC
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While the version of the art included in our recent MIST1016 artpack was a static image, we all agreed that this was an optimal presentation for Ed “Starstew” Statsny’s Pixkeletal … somewhat akin to how it might be cranked out of a tractor feed dot matrix printer. I remembered how “back in the day” the old graphics viewing program CSHOW would present images that way, after performing some very processor-intensive calculations, no doubt! But CSHOW is unhappy performing in DOSBox today, and I had to go through a lot of MS-DOS graphics applications before I found one that could deliver the effect – that of underpowered limping – that I was searching for. Art isn’t always supposed to be easy! Even computer art. (ESPECIALLY computer art!)

Instagram photo by Cthulu • Nov 2, 2016 at 6:20pm UTC

While there’s still a pumpkin on your porch and some candy wrappers blowing around in your wastebasket, here’s another sweet piece of Hallowe'eny computer art from MIST1016 – a pack of Pokemon going trick-or-treating, drawn by artscene stalwart Pinguino! The trick is that every trick-or-treater is the juvenile form, dressed as the adult form: Psyduck is dressed as Golduck, Charmander masquerading as Charizard, Shellder incognito as Cloyster, and Gastly anticipating becoming Haunter. Before we got our hands on it, a print of this was exhibited as part of the Meltdown Comics Spooky Art Show in Hollywood, hanging there for most of last month!


Instagram photo by Cthulu • Nov 2, 2016 at 6:20pm UTC

One of the major drivers for computer art has traditionally been working around constraints and limitations. In today’s world of processor-intensive creative techniques that are ONLY possible through the heavy lifting of banks of supercomputers, the idea may seem jarring and dissonant, but today’s retrocomputing enthusiasts (and, y'know, the demoscene) keep burning the torch for those eras where making a computer perform any trick, despite their gutless innards, was a feat worth celebrating.

So this little demonstration included in MIST1016 shouldn’t be brushed off as a bit crude – given 40 minutes on a Commodore 64, it’s likely that you would come up with quite a bit less! But given the geographical proximity of these hackers to our traditional heart and homebase of Vancouver, BC, and the undeniable spookiness of these 8-bit ghosts flying around, we knew we had to share this little piece of instant code with the world in MIST1016!

If you want to get this program off the ground on vintage hardware at home (or in WinVICE) you’ll need to know that making it run requires a typical step – LOAD “*”,8,1 – and an extraordinary one: instead of RUN, tell it… SYS 4096.

Instagram photo by Cthulu • Nov 2, 2016 at 1:45pm UTC

My old colleague Alex Cieslik (aka Phatal) from the Butchershop Floor art gallery continues blowing minds with his symbolically dense and ominous drawings, this one akin to some Dutch still life. When it first turned up I asked him if he was starting work on a set of Tarot cards, but no – this character stood for himself and needed no peers. The piece is named “2 Minutes to Midnight”, presumably after the Iron Maiden song, and … it’s intense.

Prints of the design (and shirts bearing the image) are available for sale; we’ll be serving you up a menu of goods for sale by Mistigris artists when holiday season is a bit closer upon us. But for now – it’s still Hallowe'en, at least for one more day!


Instagram photo by Cthulu • Nov 2, 2016 at 1:45pm UTC

Emerging ANSI artist LDA surprised us all with the submission of this… symbolically rich repast. Then, while seeking easy and obvious (but impressive!) animated transformations with which to populate our teaser trailer for the recent MIST1016 Hallowe'en artpack (which you can now enjoy in its entirety through your web browser at textmod.es, we surprised everyone by making it bloodlessly skip, jump, cavort and frolic for the entertainment and delight of bystanders! The version released in the artpack was the static ANSI art original, but we feel that this four-frame animation is its “best self”, so here you have another opportunity to appreciate it!

Tuesday, November 1, 2016

Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

You’ve doubtless heard the claim here before: “quite possibly the smallest Mist logo”, “almost certainly the smallest Mistigris logo ever drawn” … one Nail, formerly of Fire and recently of revived ANSI art greatness, got tired of hearing these contested and unclear claims and resolved to settle the matter once and for all, with this – without any doubt, the smallest Mist textmode logo ever drawn. Are smaller ones possible? Theoretically. Would they amount to a hill of beans? Not likely. So we take our very little hats off and give him a teensy weensy round of applause.

(This logo was used atop the memberlist of the recent MIST1016 artpack release: small logo, long infofile!)


Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 8:44pm UTC

MIST1016 truly had it all – and some things, it seems, it had twice! xer0 demonstrated handily that there’s more than one way to skin a Nintendo game! His earlier glitched-out Castlevania hirez piece (what a coincidence, and both of their nicknames being situated toward the end of the alphabet as they are threw them so close together… the pieces were fated to meet thus!) highlights flaws and errors rather than elegance and beauty, and in so doing penetrates straight to the heart of the subject: that something is fundamentally wrong with this whole bloody system!

(Have you tried blowing in the slot?)


Instagram photo by Cthulu • Nov 1, 2016 at 8:44pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

Mist Classic alumnus Whazzit has been busy brewing up some unprecedented stylistic mash-ups, colliding HD photography of landscapes and architecture with ANSI art figures. He just released a bundle of them in the Blocktronics Blocktober artpack, but beating them out by a nose in MIST1016 was this, his Hallowe'eny take on the subject of Castlevania, Konami’s eternal video game series celebrating the conflict between the Belmont family and the vampire Dracula. Here we see Simon Belmont and Drac facing each other down across an elegant chamber, while a small flock of bats rest and stretch way up high.

(Of course, my favorite part is that there’s an entire roast chicken hidden inside the third pillar from the left!)


Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

teletextart:



#pixelart Ghost jokes, Granada ORACLE, 20th June 1982. Quick (semi-)shoutout for @Grim_Fandango himself on this page!

Captured by Jason Robertson http://twitter.com/grim_fandango

Source: http://archive.teletextart.co.uk and http://www.uniquecodeanddata.co.uk/teletext76/



The perfect marriage of the graphical and the literary?

Instagram photo by Cthulu • Nov 1, 2016 at 6:03pm UTC

A highlight of our recent MIST1016 Hallowe'en artpack was this second annual guest appearance by Raquel “ACIDT*” Meyers, a kind of textmode outsider art savant who happens to, happily for us, specialise in monsters! This piece of PETSCII (the textmode character set of Commodore’s home computers, most notably the C=64) art is entitled “Ambush”, and … I think that I’m looking at Thriller-era Michael Jackson at the bottom left there. Shamon!


Instagram photo by Cthulu • Nov 1, 2016 at 6:03pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 3:07pm UTC

Theresa Oborn was not the only star in the Mistigris constellation to be doing daily spooky drawings for #inktober – also, a ton of creepy work was flowing out of the pencil (I know, flowing from a pencil – creepy, eh?) of Brad “Bonemouse” Morris… this is not his first year at the monthlong challenge, and for MIST1016 we availed ourselves of two years’ worth of his doodles (alas, some of his strongest pieces were posted in the closing days of October, after the artpack was already “final”… but I suppose they give us a start on next Hallowe'en’s collection!)

This one was in response to the “Witchcraft Wednesday” prompt, and I can’t help but think that this might be Holtzman in an alternate reality Ghostbusters where it is the busters who are the supernatural creatures.


Instagram photo by Cthulu • Nov 1, 2016 at 3:07pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 1:51pm UTC

Starting off today’s offerings from the recent MIST1016 Hallowe'en artpack, here’s an ASCII art Gojira (Godzilla) from the desk of ldb, colourized by myself and used at the end of our infofile. I know he’s supposed to be flattening Tokyo, but isn’t he cute?


Instagram photo by Cthulu • Nov 1, 2016 at 1:51pm UTC