Mistigris computer arts

Showing posts with label MIST1016. Show all posts
Showing posts with label MIST1016. Show all posts

Wednesday, November 9, 2016

Instagram photo by Cthulu • Nov 9, 2016 at 9:19am UTC

As Horsenburger was getting his teletext groove back, he produced a few caracatures of right-wing politians, such as this rendition of “Tiny Hands Trump”. For a laugh, we folded them in to our MIST1016 Hallowe'en artpack of a week and a half ago, keeping good company with various creepy characters, chilling scenarios and assorted monsters. We’re not laughing now.


Instagram photo by Cthulu • Nov 9, 2016 at 9:19am UTC

Friday, November 4, 2016

Instagram photo by Cthulu • Nov 3, 2016 at 9:57pm UTC

It was 1998, and I’d messed up. The artists had followed me, more or less, like a crazy cult leader through the desert through the lion’s share of 1997 with the Mistigris World Tour, and when we finally “came home” to resume releasing artpacks under our own name, I resolved to indulge them as they had humoured me, and give them what they wanted: regular, monthly releases. They had other, not-unreasonable requests – split the packs into different disks focusing on textmode art, hirez visuals and music. And then the breaking point: they wanted us to include “real-world art” in our packs. I was inclined to agree – the more art, the better! – but the path forward in such an unprecedented direction was unclear, and the technology to help us decidedly crude, the scanners and cameras of the time being huge, slow and lossy. So I dithered and delayed. Meanwhile, my department heads were stirring the pot putting a strange new emphasis on QC, “quality control”, with the idea that it would inspire artists to produce better work. But the slogan of Mist had long been “art for the artists”, so they were thus quite accustomed to doing what they liked and hoping we felt the same way. Now it seemed we didn’t.

So, a substantial chunk of Mist Classic parted ways from us and established Hallucigenia, where they could continue making computer art – and heck, real-world art too, why not? – in the manner to which they were accustomed. I always wondered… maybe if I’d acted sooner on admitting real-world art, I could have kept them under our roof and we could have maintained the momentum of an active core needed to continue operations. But we don’t have a time machine, so instead we get the historical record: Mist Classic stalled out in August of 1998 with me descending into HTML insanity, while Hallucigenia continued chugging along, and in October there it was: real-world art – they ran a gallery of Jack O'Lanterns in their artpack.

Since reforming, we’ve released three October artpacks, and they’ve only gradually been getting more and more Hallowe'eny – first, not at all in 2014, then substantially in 2015… this year, our October artpack was entirely Hallowe'eny. And here, in MIST1016, we just included a photo of an old Jack O'Lantern by Nail (that guy again?), a flaming skull (Ghost Rider or a Lost Soul from DooM? You be the judge!) so finally we can achieve a taste of the MIST1098 (well, at that time our naming convention would have looked like M-9810-B) that never was but might have been.


Instagram photo by Cthulu • Nov 3, 2016 at 9:57pm UTC

Thursday, November 3, 2016

Instagram photo by Cthulu • Nov 3, 2016 at 8:47pm UTC

Compare & contrast: through the photographer’s lens, the photographer is a god! But externally, the photographer – focused on a dinky little machine, contorting their body to get just the right angle – is ridiculous and pitiable! And surely nowhere more so than the reviled selfie, stand-in for generational misogyny for years now!

Painter Delphine Hennelly is in the middle of a series of works exploring the theme of the selfie, but none of them carry a more unsettling subtext than this, the “Bathroom Selfie” featured in MIST1016, enshrining one girl’s attempt to (optimistically? foolishly?) squeeze beauty out of a context of larger-than-life squalor. (That’s funny, I’ve lost my appetite!)


Instagram photo by Cthulu • Nov 3, 2016 at 8:47pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 6:32pm UTC

Covering all the bases, from computer art forms to fine arts to … well, one of the first of the modern art forms, photography! This MIST1016 landscape photo of Vancouver’s recent blood moon was taken by Diane Smithers (the watermark doesn’t lie!) and while photography is consigned to always play an unglamorous second fiddle role when in the same orchestra as Photoshop and After Effects, it can still be humbling when you realise that what you’re looking at on your computer screen isn’t purely an assemblage of electrons, but an actual representation of the real world! If she missed this shot after humping her camera gear up the staircase she couldn’t just reset the simulation!

(And for 604 appeal there, in the foreground, are the condos of Yaletown and Vancouver’s West End.)


Instagram photo by Cthulu • Nov 3, 2016 at 6:32pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 5:05pm UTC

On the fine art side of things, MIST1016 also included perhaps our first charcoal drawing, a gripping piece by Tom Heuckendorff of the band Soatoa: its title is “Spider face” and its edge is undeniable.


Instagram photo by Cthulu • Nov 3, 2016 at 5:05pm UTC

Instagram photo by Cthulu • Nov 3, 2016 at 1:56pm UTC

We don’t want MIST1016 to overstay its welcome what with all of its Hallowe'eny contents, but at the same time… it’s the only thing holding back Christmas at this point, so we must persevere and press on. This morning we kick off celebrating this piece by the recently-rediscovered reNM8r which, let’s be fair, we can’t really get away with sharing at virtually any other time of year. A sublime exercise in lighting, I can’t really describe the effects of black magic being depicted here, but they resonate as intense and awesome. I would not mess with that witch and I strongly advise you do not either.


Instagram photo by Cthulu • Nov 3, 2016 at 1:56pm UTC

Wednesday, November 2, 2016

Instagram video by Cthulu • Nov 2, 2016 at 10:03pm UTC

Marc Ericksen was raking in the big bucks designing killer art for classic video game boxes back when most of us were in diapers. Our digital underground arose and fell, him at one end of the software ecosystem and us at the other end, and I gather that his game illustration run was near its end in 2003, when he drew this art for an ad for the Lucasfilm PS2 game RTX Red Rock in Gamepro magazine issue #176. As demonstrated in the secret package he mailed me three weeks ago, when the magazine finally ran the art, it was obscured behind a writhing mass of red squiggles, using a technique much used in software copy protection of the era (eg. in Loom), the underlying content revealed only when viewed through a(n attached) red cellphane transparency representing the bionic eye of the game’s protagonist.

Which is, huh, there’s a lot going on there. But the high and low is that no one out in the public has ever had a chance to get a good look at the underlying art before, and here – due to my onetime Quixotic quest getting box artists properly credited on Mobygames – in MIST1016, the veil was lifted and they finally had a chance to appreciate how it looked before the squiggles were applied.


Instagram video by Cthulu • Nov 2, 2016 at 10:03pm UTC

Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC

Nail is a fellow artscene traveller, a refugee from the ‘90s with a fondness for the activities we used to conduct but not many outlets for them. Somehow, he ended up singlehandedly generating 100% of the Mistigris iconography used in the MIST1016 artpack – the FILE_ID.DIZ and the logos on both infofiles. Basically, anything that said “MIST” was done by him… which isn’t bad for someone who was historically never part of it! Nostalgia by proxy!

Anyhow, the previous two of his pieces we examined were minor works – a FILE_ID.DIZ is necessarily constrained, while “the world’s smallest Mist logo” doesn’t really have the chance to bust out. But here, atop the newsletter, he went for the gusto and minted this wicked logo depicting some species of digital graffiti from Hell, balancing the whimsically looped “i"s with the Satanically inverted "G”. It’s a typographical tour de force, and really got us out the door on a Hallowe'eny foot, no doubt! Hats off and thanks again to Nail for ensuring that we didn’t head out into the world undressed 8)


Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC
[wpvideo 1qjXLToj]

While the version of the art included in our recent MIST1016 artpack was a static image, we all agreed that this was an optimal presentation for Ed “Starstew” Statsny’s Pixkeletal … somewhat akin to how it might be cranked out of a tractor feed dot matrix printer. I remembered how “back in the day” the old graphics viewing program CSHOW would present images that way, after performing some very processor-intensive calculations, no doubt! But CSHOW is unhappy performing in DOSBox today, and I had to go through a lot of MS-DOS graphics applications before I found one that could deliver the effect – that of underpowered limping – that I was searching for. Art isn’t always supposed to be easy! Even computer art. (ESPECIALLY computer art!)

Instagram photo by Cthulu • Nov 2, 2016 at 6:20pm UTC

While there’s still a pumpkin on your porch and some candy wrappers blowing around in your wastebasket, here’s another sweet piece of Hallowe'eny computer art from MIST1016 – a pack of Pokemon going trick-or-treating, drawn by artscene stalwart Pinguino! The trick is that every trick-or-treater is the juvenile form, dressed as the adult form: Psyduck is dressed as Golduck, Charmander masquerading as Charizard, Shellder incognito as Cloyster, and Gastly anticipating becoming Haunter. Before we got our hands on it, a print of this was exhibited as part of the Meltdown Comics Spooky Art Show in Hollywood, hanging there for most of last month!


Instagram photo by Cthulu • Nov 2, 2016 at 6:20pm UTC

One of the major drivers for computer art has traditionally been working around constraints and limitations. In today’s world of processor-intensive creative techniques that are ONLY possible through the heavy lifting of banks of supercomputers, the idea may seem jarring and dissonant, but today’s retrocomputing enthusiasts (and, y'know, the demoscene) keep burning the torch for those eras where making a computer perform any trick, despite their gutless innards, was a feat worth celebrating.

So this little demonstration included in MIST1016 shouldn’t be brushed off as a bit crude – given 40 minutes on a Commodore 64, it’s likely that you would come up with quite a bit less! But given the geographical proximity of these hackers to our traditional heart and homebase of Vancouver, BC, and the undeniable spookiness of these 8-bit ghosts flying around, we knew we had to share this little piece of instant code with the world in MIST1016!

If you want to get this program off the ground on vintage hardware at home (or in WinVICE) you’ll need to know that making it run requires a typical step – LOAD “*”,8,1 – and an extraordinary one: instead of RUN, tell it… SYS 4096.

Instagram photo by Cthulu • Nov 2, 2016 at 1:45pm UTC

My old colleague Alex Cieslik (aka Phatal) from the Butchershop Floor art gallery continues blowing minds with his symbolically dense and ominous drawings, this one akin to some Dutch still life. When it first turned up I asked him if he was starting work on a set of Tarot cards, but no – this character stood for himself and needed no peers. The piece is named “2 Minutes to Midnight”, presumably after the Iron Maiden song, and … it’s intense.

Prints of the design (and shirts bearing the image) are available for sale; we’ll be serving you up a menu of goods for sale by Mistigris artists when holiday season is a bit closer upon us. But for now – it’s still Hallowe'en, at least for one more day!


Instagram photo by Cthulu • Nov 2, 2016 at 1:45pm UTC

Emerging ANSI artist LDA surprised us all with the submission of this… symbolically rich repast. Then, while seeking easy and obvious (but impressive!) animated transformations with which to populate our teaser trailer for the recent MIST1016 Hallowe'en artpack (which you can now enjoy in its entirety through your web browser at textmod.es, we surprised everyone by making it bloodlessly skip, jump, cavort and frolic for the entertainment and delight of bystanders! The version released in the artpack was the static ANSI art original, but we feel that this four-frame animation is its “best self”, so here you have another opportunity to appreciate it!

Tuesday, November 1, 2016

Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

You’ve doubtless heard the claim here before: “quite possibly the smallest Mist logo”, “almost certainly the smallest Mistigris logo ever drawn” … one Nail, formerly of Fire and recently of revived ANSI art greatness, got tired of hearing these contested and unclear claims and resolved to settle the matter once and for all, with this – without any doubt, the smallest Mist textmode logo ever drawn. Are smaller ones possible? Theoretically. Would they amount to a hill of beans? Not likely. So we take our very little hats off and give him a teensy weensy round of applause.

(This logo was used atop the memberlist of the recent MIST1016 artpack release: small logo, long infofile!)


Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 8:44pm UTC

MIST1016 truly had it all – and some things, it seems, it had twice! xer0 demonstrated handily that there’s more than one way to skin a Nintendo game! His earlier glitched-out Castlevania hirez piece (what a coincidence, and both of their nicknames being situated toward the end of the alphabet as they are threw them so close together… the pieces were fated to meet thus!) highlights flaws and errors rather than elegance and beauty, and in so doing penetrates straight to the heart of the subject: that something is fundamentally wrong with this whole bloody system!

(Have you tried blowing in the slot?)


Instagram photo by Cthulu • Nov 1, 2016 at 8:44pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

Mist Classic alumnus Whazzit has been busy brewing up some unprecedented stylistic mash-ups, colliding HD photography of landscapes and architecture with ANSI art figures. He just released a bundle of them in the Blocktronics Blocktober artpack, but beating them out by a nose in MIST1016 was this, his Hallowe'eny take on the subject of Castlevania, Konami’s eternal video game series celebrating the conflict between the Belmont family and the vampire Dracula. Here we see Simon Belmont and Drac facing each other down across an elegant chamber, while a small flock of bats rest and stretch way up high.

(Of course, my favorite part is that there’s an entire roast chicken hidden inside the third pillar from the left!)


Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 6:03pm UTC

A highlight of our recent MIST1016 Hallowe'en artpack was this second annual guest appearance by Raquel “ACIDT*” Meyers, a kind of textmode outsider art savant who happens to, happily for us, specialise in monsters! This piece of PETSCII (the textmode character set of Commodore’s home computers, most notably the C=64) art is entitled “Ambush”, and … I think that I’m looking at Thriller-era Michael Jackson at the bottom left there. Shamon!


Instagram photo by Cthulu • Nov 1, 2016 at 6:03pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 3:07pm UTC

Theresa Oborn was not the only star in the Mistigris constellation to be doing daily spooky drawings for #inktober – also, a ton of creepy work was flowing out of the pencil (I know, flowing from a pencil – creepy, eh?) of Brad “Bonemouse” Morris… this is not his first year at the monthlong challenge, and for MIST1016 we availed ourselves of two years’ worth of his doodles (alas, some of his strongest pieces were posted in the closing days of October, after the artpack was already “final”… but I suppose they give us a start on next Hallowe'en’s collection!)

This one was in response to the “Witchcraft Wednesday” prompt, and I can’t help but think that this might be Holtzman in an alternate reality Ghostbusters where it is the busters who are the supernatural creatures.


Instagram photo by Cthulu • Nov 1, 2016 at 3:07pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 1:51pm UTC

Starting off today’s offerings from the recent MIST1016 Hallowe'en artpack, here’s an ASCII art Gojira (Godzilla) from the desk of ldb, colourized by myself and used at the end of our infofile. I know he’s supposed to be flattening Tokyo, but isn’t he cute?


Instagram photo by Cthulu • Nov 1, 2016 at 1:51pm UTC

Monday, October 31, 2016

Instagram photo by Cthulu • Oct 31, 2016 at 9:51pm UTC

This one just goes to show – there’s more than one way to depict a girl with bat wings! Theresa Oborn, better known for her grim sculptures, was one of two artists on our radar hyperactive in the commission of spooky drawings during #inktober. We captured… a great many of them for MIST1016, out yesterday!



While the cross is upside-down (shades of Manson, but that’s a swastika… which has no upside-down!), it’s worth noting that pentagrams in this orientation actually represent holiness: a good Christian, legs firmly grounded, arms held out in worship, head pointing to the sky. (Reversed, it becomes more of a goat’s head.) But the point is… isn’t it just adorable?


Instagram photo by Cthulu • Oct 31, 2016 at 9:51pm UTC