Mistigris computer arts

Showing posts with label ANSI. Show all posts
Showing posts with label ANSI. Show all posts

Wednesday, December 21, 2016

[youtube https://www.youtube.com/watch?v=_9NRRadx-zY?feature=oembed&enablejsapi=1&origin=http://safe.txmblr.com&wmode=opaque&w=500&h=281]

Yesterday we re-shared the second installment of the 5-part Bells of Yule epic seasonal holiday tracked music suite made on an Atari ST in 1994, remastered in 2014 and given period visuals from the PC artscene last year. This time around all we have to do is share the links! The music was composed by Admiral Skuttlebutt, remastered by Melodia, and the visuals this time around focus on 25-line ANSI art, largely from Public Domain sources, especially featuring the works of Ebony Eyes.

Tuesday, December 13, 2016

[wpvideo vXykNdCX]

Today’s Mistigram item from MIST1116 was selected as the 16 Colours ANSI of the Day on November 27th (the second time that month the sporadic artist had been so honoured!) but I wanted to wait until I had the chance to share the souped-up version I’d tried cobbling together for the MIST1116 trailer video (before ultimately rejecting it as not thematically fitting in).

Well, here it is! VileR, in association with his fellow archivists at The Dos Collection, was celebrating the 35th anniversary of the release of the IBM PC computer, the best way he knew how: by making reference to the BASIC game by Bill Gates that shipped with the machine’s PC-DOS operating system (running under its BASICA interpreter), DONKEY.BAS. This is not the first time this year VileR released a masterpiece involving DONKEY.BAS – a few months ago, as you may recall, he re-implemented it in textmode as “Sorry Ass”, boiling it down so concisely it fit in a floppy diskette’s boot sector.

I was hoping to better ANSImate the car blasting through the BASICA start screen (Did You Know: double-arrow characters used on the BASICA screen are ANSI control characters, so attempts to depict them accurately will result in glitched display output. I sure found out, repeatedly!), but my window of opportunity to soup up this file’s presentation coincided exactly with me losing access to my main computer and the opportunity passed me by. Alas! Maybe for the PC’s 40th I can take another crack at it. Hats off, VileR!

Thursday, December 8, 2016

[gallery]
j33p33’s oldschool ANSI art Mist logo from atop the infofile of the recent MIST1116 artpack was today’s Mistigram pick, but those of you who saw it in our MIST1116 trailer would remember that it passed through a few beats en route to completion. j33p33 flaunted different takes and approaches in the internal Mistigris Facebook group all the while laughing off polite requests to submit an .ANS version so it could be used in the artpack’s infofile. Then he suffered catastrophic SSD card data loss! But fortunately, somehow, we found a mostly-complete version of the logo at its most fully-featured to run in the artpack, and if the bottom of the S and the crescent beneath the M were never filled in… no one ever complained.

Along the way, you can enjoy the diversions the logo went through – an icy take to counter its ultimately fiery temperament. Also you can see a version moderated by “Deep Dream”, as well as xer0’s post-complete glitched-out version. They’re only four little letters, but they leave you many, many options!

Tuesday, November 29, 2016

[gallery]
Queen fiend Nitnatsnoc must be spinning in his retirement! I was waiting to feature this one in Mistigram to build some tension, but the Sixteen Colors ANSI of the Day was drawn straight toward it like a moth to a flame! The artist: cccfire, another parallelly-evolved case of ANSI art from the 8bitMUSH like today’s Mistigram artist LDA. The artwork: an extra-wide XBin piece of monochrome ANSI art enshrining the members of the glam rock Queen (and enjoy the bonus, the same scene quite more minimally arranged by some anonymous SharpSCII artist), plus a late-breaking addition of the group’s logo in glorious colour… and what we can most definitiveely describe as the ultimate, final “smallest textmode Mistigris logo” of all time.

The piece competed against the fruit of Blocktronics (including no fewer than four pieces by the godly ungennant) at the Demosplash demoparty earlier this month in its truncated form, and placed… 10th. (But in his defense, cccfire runs laps around all of the multi-decade veterans who outscored him in light of a “most improved” metric, maturing as a real contender with – an admittedly idiosyncratic style – in under a year. At this rate cccfire will be pulling down top scores for his ANSI art when all of Blocktronics will have been 15 years in the cold ground!)


We will revisit the piece on Mistigram to take a peek at some of its finer details. And happy to say, we have other recent pieces that the AOTD has lighted upon over the past few days to also celebrate with you – but they carry with them a little additional bonus content that needs to be a massaged a bit before we serve up their full stories to you.

Instagram photo by Cthulu • Nov 29, 2016 at 1:59pm UTC

Today on Mistigram, this Blade-Runnerian spaceport ANSI art landscape by LDA from the wilds of the 8bitMUSH at ANSIART.COM is a pure slice of oldschool (practically Public Domain) bliss, evoking happy memories of hours spent exploring in rounds of Trade Wars 2002. Maybe those vessels have their bellies full of volunteers to populate the off-world colonies… and maybe the captain’s alignment is good and he won’t open the airlock as soon as he leaves orbit. Maybe. My point is: it’s a hell of a sunset.


Instagram photo by Cthulu • Nov 29, 2016 at 1:59pm UTC

Thursday, November 24, 2016

[gallery]
It gives us great pleasure (and enormous relief) to announce that MIST1116, the Mistigris computer artpack collection for which we’d been gathering submissions since the end of April, is finally out following a series of delays.

With a strong current of pieces dealing with themes of technology, transhumanism and cyberspace, there’s also plenty to enjoy to suit camps old and new alike – several varieties of textmode artwork, including typewriter masterpieces and an unstoppable parade of teletext, plus the “real-life” art forms historically absent, including drawing, painting, photography and collage. (Still no dance! We’ve got to have something to strive toward, I guess.)

And keeping us relevant despite our celebrating the occasion of our 22nd anniversary, the kids will enjoy an unsettling SnapChat face-swap and an canonical literary work transliterated into emoji.

(Also, at least three accordions. They’re made to fit in there thematically somehow, but huh – go figure!)

If you’d like to download the entire collection in one 185-meg go for local enjoyment, please point your web browser to bit.ly/MIST1116 ; if on the other hand you’d like to wander through a garden of thumbnails via a web gallery, textmod.es is hosting (most of) it at bit.ly/MIST1116gallery


(Pictured: “V for Vendetta” ANSI adaptation by cccfire
“Smoke and Mirrors” by Delphine Hennelly
Textile Kaleidoscope by Daniel Wickert
“God organ, its jubilant appreciation” painting by Nick Lakowski
Judge Dredd teletext by Illarterate
“A Hundred Impossible Species of Blue” collage by Arielle Olivier
“The Old Guitarist” Shift_JIS adaptation by Kalcha
“Maakscii art” by Pannekoekologist
“Couture” drawing by Theresa Oborn
“Imissthenineteenhundredandnineties” by xer0.)

Wednesday, November 23, 2016

Instagram photo by Cthulu • Nov 23, 2016 at 2:20pm UTC

Today on Mistigram, this ANSI art logo by Whazzit capped off his mermaid ANSImation with Kirkman in last year’s MIST1015 artpack. Previously I equated the blue with water but now I’m thinking it might be more the phosphorescence of jellyfish tentacles or electric eels, wriggling among the seaweed growing amongst the planks of a sunken vessel.


Instagram photo by Cthulu • Nov 23, 2016 at 2:20pm UTC

Monday, November 21, 2016

Instagram photo by Cthulu • Nov 21, 2016 at 2:07pm UTC

Today on Mistigram, an ANSI art Mist logo veering on the abstract by Tincat from a collaboration in our July 1997 artpack. As for the slogan? You know what you get when you throw everything at the wall and see what sticks? Then you take everything that stuck, and see which among those sticks the most… basically, the Mistfunk movement Tincat spearheaded was selectively breeding for catchiness rather than clear messaging.


Instagram photo by Cthulu • Nov 21, 2016 at 2:07pm UTC

Instagram photo by Cthulu • Nov 20, 2016 at 3:17pm UTC

Wake up, sheeple! Yesterday on Mistigram we featured this ANSI art sheep – one of only two I can think of, both from Mistigris – drawn by Etana as part of a BBS-screen-sized Mistigris promo in our two-year anniversary artpack in the vicinity of October 1996. I don’t know who this ovine is giving the side-eye to, but they’ve clearly got some suspicions about the company they’re keeping.


Instagram photo by Cthulu • Nov 20, 2016 at 3:17pm UTC

Monday, November 14, 2016

Instagram photo by Cthulu • Nov 14, 2016 at 2:13pm UTC

And finally, from December of 1994, we get caught up with today’s Mistigram posting – this sliiiightly pHUNKy ANSI art Mist logo by White Insanity. It’s a peculiar logo that came on top of a quite peculiar illustration which we will be sure to share with you down the line, once we’ve exhausted our supplies of “Mist” logos 8) Perplexing, but at least it’s got lots of personality!

Today, after nearly 22 years, I finally did see the lemur. (It’s in the illustration, not the logo.)
Instagram photo by Cthulu • Nov 14, 2016 at 2:13pm UTC

Instagram photo by Cthulu • Nov 12, 2016 at 5:45am UTC

U> Has anyone done meme images scene art?
C> once in a blue moon it happens



U> Meme image
U> I mean stuff like pepe the frog etc
U> all colors are on default palette
U> Ansi green is similar to pthalo green and it’s pepes green color
U> I’m gonna push some ansi turds tonight

He couldn’t have known how true he was! Unseen Fate of pen15 generously got in some of our earliest ANSI art submissions in the crazy six-month call for submission period for MIST1116 (due out this weekend, I’m serious this time!) and the problem with the ample lead time is that it gave memetic subject matter time to mutate and go horribly wrong.
C> I’m a little concerned about recent developments vis a vis pepe the frog



U> Yas
U>
Don’t include

C>it’s a shame, because as ansi art it’s on fleek and as far as viral memes go, I guess we didn’t anticipate just how far it would pop, but for the wrong reasons



U>Yea
U>
And its origin is nice and clean


C>I can’t think of a way to include it while simultaneously stating “we disavow white supremacy and fascism”, beyond making him painfully shill for Hillary, which I think would be … trying a little too hard.



U>Just assholes turned it into shite
U>
Yas
U>
No pee pee until this has settled
U>
Don’t include it
U>Its hazard now
U>And I don’t want to be associated with those asshats namely alt right dicks and nazis

U>Last time Pepe was seen was 2007 in boy’s club comic. After that it became meme at 4chan
U>
Only last year there has been new 4 panel strip about Pepe
U>
Basically 4chan fuckers destroyed Pepe
U>
Anyway
U>
Internet ruins everything ??

C>Amen!


Instagram photo by Cthulu • Nov 12, 2016 at 5:45am UTC

Thursday, November 10, 2016

Instagram photo by Cthulu • Nov 10, 2016 at 1:51pm UTC

We laugh that we do not cry. Way back in April, before the hands of Fate were felt making the inconceivable inevitable, the Mistigris founder’s elite alter-ego k-ThUlU++ released this abysmal chimera – half machine-converted textmode art, half TheDraw font – in our traditional April Fools’ pack of “bad art”. (Bad, BAD art! No cookie!)

The likelihood that developments in global affairs will lead to an increase in the greatness of textmode art can be rated as … unlikely.


Instagram photo by Cthulu • Nov 10, 2016 at 1:51pm UTC

Tuesday, November 8, 2016

Instagram photo by Cthulu • Nov 8, 2016 at 2:53pm UTC

Today on Mistigram, a joint ANSI art depiction of X-Man Colossus drawn by Wetworks of Mist and The Green Hornet of Dark Illustrated as part of our Mistigris World Tour appearance with Dark in May of 1997. I’m not certain who did what, but I’d put good money on that background fire having come from the desk of TGH.


Instagram photo by Cthulu • Nov 8, 2016 at 2:53pm UTC

Wednesday, November 2, 2016

Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC

Nail is a fellow artscene traveller, a refugee from the ‘90s with a fondness for the activities we used to conduct but not many outlets for them. Somehow, he ended up singlehandedly generating 100% of the Mistigris iconography used in the MIST1016 artpack – the FILE_ID.DIZ and the logos on both infofiles. Basically, anything that said “MIST” was done by him… which isn’t bad for someone who was historically never part of it! Nostalgia by proxy!

Anyhow, the previous two of his pieces we examined were minor works – a FILE_ID.DIZ is necessarily constrained, while “the world’s smallest Mist logo” doesn’t really have the chance to bust out. But here, atop the newsletter, he went for the gusto and minted this wicked logo depicting some species of digital graffiti from Hell, balancing the whimsically looped “i"s with the Satanically inverted "G”. It’s a typographical tour de force, and really got us out the door on a Hallowe'eny foot, no doubt! Hats off and thanks again to Nail for ensuring that we didn’t head out into the world undressed 8)


Instagram photo by Cthulu • Nov 2, 2016 at 8:13pm UTC

Tuesday, November 1, 2016

Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

You’ve doubtless heard the claim here before: “quite possibly the smallest Mist logo”, “almost certainly the smallest Mistigris logo ever drawn” … one Nail, formerly of Fire and recently of revived ANSI art greatness, got tired of hearing these contested and unclear claims and resolved to settle the matter once and for all, with this – without any doubt, the smallest Mist textmode logo ever drawn. Are smaller ones possible? Theoretically. Would they amount to a hill of beans? Not likely. So we take our very little hats off and give him a teensy weensy round of applause.

(This logo was used atop the memberlist of the recent MIST1016 artpack release: small logo, long infofile!)


Instagram photo by Cthulu • Nov 1, 2016 at 9:58pm UTC

Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

Mist Classic alumnus Whazzit has been busy brewing up some unprecedented stylistic mash-ups, colliding HD photography of landscapes and architecture with ANSI art figures. He just released a bundle of them in the Blocktronics Blocktober artpack, but beating them out by a nose in MIST1016 was this, his Hallowe'eny take on the subject of Castlevania, Konami’s eternal video game series celebrating the conflict between the Belmont family and the vampire Dracula. Here we see Simon Belmont and Drac facing each other down across an elegant chamber, while a small flock of bats rest and stretch way up high.

(Of course, my favorite part is that there’s an entire roast chicken hidden inside the third pillar from the left!)


Instagram photo by Cthulu • Nov 1, 2016 at 7:52pm UTC

Sunday, October 30, 2016

[gallery]

Trick or Treat! Our Hallowe'en-styled 22nd anniversary (!) artpack (you may recall its awesome teaser trailer from a couple of weeks back) is officially released, and is now available for local download at http://bit.ly/mist1016 … there is some ANSI and ASCII art, by old hands and a few new names to boot, plus our ongoing investigations into other genres of textmode art (PETSCII, Shift-JIS, and a ton of teletext!) Also lots of #inktober sketches, drawings and paintings, plenty o’ varied hirez, even music… and of course it wouldn’t be a Mist pack without some lit!

                                            Mar 10
I passed a man.
He wasn't human.


Like a rapidly-decaying Jack O’ Lantern (yep, got one of those too!), don’t let it get past optimal seasonal freshness – grab the whole pack today and get your Hallowe'en started right!



(Featured in this post: FILE_ID.DIZ by Nail, Ambush by Raqel Meyers as ACIDT*, Happy Helloween by reNM8R, Albina by Elin Jonsson, Hellboy teletext by Horsenburger, Strange Weather by the Mythical Man, Haunted House #inktober sketch by Bonemouse, Click or Treat Shift-JIS by Kalcha, Just Because You Are Afraid Of Me Does Not Mean I Am Dangerous #inktober sketch by Theresa Oborn, Castlevania by Whazzit. (Oh yes, and the poem is by Crowkeeper.) But everything in this collection is Hallowe'eny, this is just a sampling to demonstrate its incredible diversity!)

Instagram photo by Cthulu • Oct 30, 2016 at 1:20pm UTC

Today on Mistigram, we break from tradition by featuring a seasonal piece without any obvious Mistigris branding. This Hallowe'eny character is Lord Pumpkin, from Malibu Comics’ short-lived Ultraverse, and he was translated to ANSI art (for what I’m suspecting was the first and only time) by our own Nitnatsnoc in our very first artpack, released 22 years ago in October of 1994.


Instagram photo by Cthulu • Oct 30, 2016 at 1:20pm UTC

Thursday, October 27, 2016

Instagram photo by Cthulu • Oct 27, 2016 at 1:12pm UTC

Doing our little bit to pump more mad science into the world at this time of year, here’s this bubbling test tube of an ANSI art logo from Blender #31 in 1997, drawn by Happyfish (who now ironically finds herself a real life mad scientist, compounding pharmaceutical substances into bubbling test tubes of her own) atop a strange story knitting together the target subjects of “scientists / running / down a one-way street”. There isn’t room on Instagram for the typo-riddled story, but if you insist, you can read it here.


Instagram photo by Cthulu • Oct 27, 2016 at 1:12pm UTC

Tuesday, October 25, 2016

[gallery]
_________|`  ____,___|`_|   |___33
__, __, __, `(____- ,_,'_, _______
#|' |' |' |' ,__, `|' _|' |#
@|___,___,____-__(____,__,'___,__,'@
(mistigris) (the first pack) (10/94)


Hats off to Eerie! Long celebrated as one of the most relentlessly creative visual talents of the underground computer artscene, he seemed to have long since moved on, never acknowledging the longago world in which for years he was its Picasso – his engine was merely stuck on overdrive, perpetually being driven forward, onward, with no opportunity for reflection in the rapidly-receeding rear view mirror. He has only just recently given us a nod with “33RULES”, the complete, collected artscene works of Eerie from April of 1994 to his last gasp in September of 1998 – one month later than we managed to hang in there, plus the nominal hiccup for ACiD-100. It’s all the glories of the artscene in a nutshell, a masterclass in a dozen different styles, and a valuable window into the endlessly creative brain of a true computer artist.



He was a key character in the foundation of Mistigris (look up top in his timeline, the first ANSI he’s made this century, minted in TheDraw – c'mon man, that big blue Pablo logo from our debut means you know better! – where you see the brief blip we occupy at the start of his long and illustratious scene career) because he started where we started: with the NWA (Vancouver’s New Wave Artists) / GRiP/AD (Quebec’s Graphic Revolution in Progress - Art Division) merger known as iMPERiAL. It was not to be long for this world, but it got our feet up on the rungs. Before that particular bubble popped, he got well established with his influential-in-naming trendsetting BBS Sarcastic Toaster. Concretely he gave inspiration, advice and technical assistance to Nitnatsnoc when our first WHQ BBS, The Screaming Tomato, was being set up, possibly even before we had any plans to run an artgroup out of it.



Our continuity with iMPERiAL was disappointing, as most of the handful of its still-active former members at that early juncture lent their support behind Fab One’s competing proposed artgroup, PATRiOT, later RAiD (and ultimately leading to Darkforce’s Integrity.) Thanks to the connection with Nitnatsnoc he lent material support to our bid for existence not only with (as you can see above – the FILE_ID.DIZ for our first artpack release! that’s ground floor foundational contribution right there!) actual artwork (despite already holding membership in RELiC – a dual-grouping conceit that would shortly explode with membership held simultaneously – if briefly – in ACiD, RELiC, SHiVER, UNiON and Katharsis ASCII) as well as, with Sarcastic Toaster serving as CHQ, a whole potted division of Quebec-area artists he brought along with him, including Zoltar, The Naughty Tycoon, Diamond Traveller and The Extremist – that last who would carry on the role and continue representing us in the 418 code right up to our closing months with Dionyzos and Enelf Daragard.

To reiterate: Eerie was only with us for three months at the end of 1994, but echoes and effects of his brief tenure were still being felt in the final stages of Mist Classic, in August 1998 nearly four years later. In the meantime, he’d made a legend of himself. We weren’t the start of the legend, but we were near the beginning. (And reflect that any of the umpteen groups in which he held membership at one point or another could likely gush for as great length as I have here about his tenure there!) Here in this post you can enjoy his brief intersection with us, and as a bonus… here, enjoy a couple of brief Misty pieces – his spot illustration of one of my lits, and his abrasive tracked song from the “lost” Mist/Fire Radiance music disk we revived last year – that didn’t make it into his collection!

And we’ll end on something particular to Mistigris that no other artgroup (you sure as heck would never have caught it in an ACiD or Integrity pack) would have allowed him to release: a “lit” of his own!

        bloody mary







apoplexy of a bludgeoned country
emanations
corrosion
the last feedback is reechoing in your destroyed voice
wake-ups
highway's ending here

i could try
yea, yea, i could try to shout
to puke my bile by the pores of my skin
to be dismembered
i could try to weep
but it's impossible
cuz she's sticking in my landscape
cornering my brain without being able to exit
her humid body
the haemoglobin dropping from her mouth

we won't go anywhere
there's nowhere to go
i want her to stay
i still want to force myself to watch her at 3am
i don't want to rape anymore
i don't want to kill anymore
but without attacking i lose my only defence

sweet impaled flesh
sweet impaled flesh
SWEET IMPALED FLESH

i'm searching you
no clue on where you could be
bring me back home
don't die anymore
i want you
bring me back in your bed
bring me back i don't know where
don't bleed anymore
don't moan anymore
i love you

reclothe you
don't be hurt again
bring me back in your arms
so i can still believe i'm innocent
take me
so i can still believe i'm
eternal
amen







first motion




i

at some places on the asphalt
agenda pages, dispersed
a date another one
pages splashed with some blood drops
countries splashed
only the corpse and the scandal are missing
the newspaper car left the place
"we all know, you, journalists
only think about
SATISFYING
people" money
justice was undone
let's attack the city
let's attack those people swimming in their drains
mountains splashed
valleys assassinated
population drowning
my mother swallowing

scarlet rivers
start back from the source
no one would dare to regret
ISN'T IT?


ii

beautiful terror
beautiful panic
beautiful fright
spread on the surface
enough to corrupt everything
and confound everything in the burst

RIVER
into which the population was forced to
CLEANSE itself
beautiful dirty river
hands immersed in this incandescent liquid
incardinine

BUT YOU TOLD ME BUT YOU ADVISED ME BUT YOU APPROVED ME BUT YOU

when the widow
nowhere else


iii

- The bath has been filled with blood. Write this down.
- "The bath has been filled with blood."
- Write this down too. The woman has been drowned in this blood.
- "The woman has been drown in this blood."
- She is now dead.
- "She is now dead."

edge
yes of course i'll be waiting for you
get here fast i can't wait to

- We certified the decease. That's it. We don't have anything else
to do here. Let's go.

where will you meet me
with who


iv

memory you stab with the turpentine
the creature has gushed
poor frail innocence why
did you manifested yourself
beautiful and young so beautiful and young
why

no

the sea is prolonging day after day
already finished the story

everything that happens unconsciously
when the skin is naked
when the soul is turned off
when the conscience is dying


v

they were beautiful so beautiful
so magic

conversation recorded on magnetic tape
one day they will know
no
yes no yes
SET ME FREE

a life without disappointment
an existence without normality morality
them girls without disappointment
them girls without ignorance
without naivety

i tell you
set me free
yesb

cold shower
steaming bath



now
life can be
while a moment of ecstacy
while the absolute bombardment
of hell hell you see
real liberation
from the soft cushion and the old bread
from the paradise of the dungeon
adjunction of liberty
to the sad yesterdays that
continue cant stop
for an infinite deflagration
of which the epicenter will be
in my brain
synapses will create the spark

atomic garden
atomic garden
smell the radioactive flowers
of an internal hiroshima


un

the steep bank
the beach is empty
drown yourself
nobody is watching
search somewhere else

torn covers
land of crimes
buy my piece of asphalt
speckled with guts

a child, raped
under a fire-orange sky
the water the torrent rumbling faster
way too fast

i don't want to be the killer tonight
drown yourself alone


decimated i

and this time
at the window
beheaded remorses
a blood-stained body on the bed

in a chapel
administrative gods oracle
the territory
where the incestuous union will happen
nothing on the terrain
else than two naked bodies
fucking under the heat of an eternal summer


decimated ii

the serial killer
swimming in the innocence of his victim laying down on the mattress
tied to the poles
all she has is her cries

the virgin is there she looks to the sky




second motion


northwest

hallucinated amoebaes
hear the stretch of the glaciers
see the red disaster
of the sacrificed aurora borealis
of the infernal screen
the one that will prevent you
to think about the winter
flames will reach your mouth
and your tongue will decompose
your cells will split up
and carbonize the snow by their effervescence

and i'll shit on your corpse


insanities

i'm coming here to take you
we're going

average catholic images
life used to be moral normal with excellent reputation corporative
parents javellized childhood full of lethargic laughs and microwaveable
love
no way baby
the highway is just a second away
my soiled hand in your sweet blond hair
shut up


instant departures neighbouring regions
nocturnal celebrations with sulfuric acid

seas of sand
skidding continents
cannibal torrent

i'm building my non-existant soul
from the wounds of my victims
i lost my sight
because of the vinegar
i will never recover from my insanity
even with the radiations
even with the drugs
every day
every night
even with the insomnias i will never leave the nightmare

i went away
i left the dump when i saw you weeping
with an hatchet i broke the bones of my friends
they shouted and they shut up, petrified
i closed my eyes
mist on hometown, usa
grey pick-up on the nine
six am

come with me
i'm going outta here
i'm escaping to the states
don't suffer for me
i'll suffer for you
come with me
i'm the muthafucker who's awaitin you
to fuck me kiss me fuck me kick me fuck me kill me
to fuck me

i crucified my reality
i carved my acid truth
i drowned my cephalic territories
me, that compulsive liar
i have no intention of repenting myself
there's only you i can't lie to

come with me
i wanna get outta here


exit 223

i feel like dislocated by your presence
viaducts pass so fast
lamp posts and lamp posts
ten-wheelers and ten-weelers

you don't say anything
i first thought about doing as if it was okay
i even tried
but the only thing i did was to destroy myself more
when i saw you hurling in the rearview mirror
when i saw you losing the last remains of your purity

my heart is lacerated
your moans are scourging me
your bloody wrists are confounding with the explosion of my retin

was it you i was waiting for?
was it you i saw, yesterday, on the guard-rail
vomiting the medication inoculated the day before
the face demolished under a tide of industrial alcohol
emerging
desesperately seeking for air

radio is broadcasting its aseptised fast-mood
who cares
in my head the ten-wheelers are still driving
faster
louder

and the pelting rain
and the wipers
and on the right the acid sea
and on the left the dry fields
and the pelting rain
and the wipers
and on the right the acid sea
and on the left the dry fields
and the pelting rain
and the wipers
and on the right the acid sea
and on the left the dry fields

i love you
on the back seat
when you are dying

and your finger on the trigger
who cared



I COULD HAVE I WAITED FOR YOU ALL NIGHT LONG LYING ON THE SNOW WAITING
FOR TOMORROW EVEN IF I KNEW TOO WELL THAT AWAKING WOULD BE HELL ALL NIGHT
LONG CARS PASSED WHILE I WAS WRITING YOUR NAME I LOST ALL MY HOPE NOW MY
WORDS ARE LIKE KNOCKS OF HAMMER ON A FUCKING REALITY MADE FROM DREAMS HOPES
FIGHTS BEAUTIES UGLINESSES I WROTE YOUR NAME I SHOUTED IT I MASTURBATED IT
ALL NIGHT LONG SNOW FLAKES ONE AFTER ONE FELL ON ME AND BURIED ME I THEN
REALIZED THAT MY WORK THAT MY SHOUTS THAT MY CALLS THAT MY DESIRE THAT ALL
THIS DIDN'T EMBELLISH MY BURNED BRAIN I THEN DROWNED UNDER AN INTENSE
VOLLEY OF SNOW BLOODY MARY I KNOW THAT YOU WON'T COME I KNOW THAT YOU DON'T
EVEN EXIST I WAITED FOR YOU ALL NIGHT LONG KNOWING THAT YOU WOULD NEVER
COME I WAITED FOR YOU WITHOUT EVEN HOPING YOU ALONE ALONE ON THE ROAD DID
YOU HEAR ME DIE?